Blog

In the course of studying for an MA in Imperialism and Culture, I have been examining how enthusiastic working class Britons were about the Empire in the period 1870-1914.

Emma Jolly, in the article Naming for Empire

Emma Jolly writer, historian, genealogist
  1. Dickens and London

    … the great heart of London throbs in its Giant breast. Wealth and beggary,

     

    vice and virtue, guilt and innocence, repletion and the direst hunger, all treading

     

    on each other and crowding together, are gathered round it. Draw but a little

     

    circle above the clustering house-tops, and you shall have within its space,

    everything with its opposite extreme and contradiction, close beside.

    Master Humphrey’s Clock, 1841

    Portrait of Charles Dickens 19th century © Museum of London

    Charles Dickens was born in Portsmouth on 7 February 1812, but lived much of his life in London. Although he died in Kent, his remains lie in the Poets’ Corner of Westminster Abbey where he was buried on 14 June 1870. The city fed his imagination and Dickens spent decades reproducing London’s streets, sights, smells, sounds and people in his many written works.

    As part of the 2012 bicentennial celebrations mentioned in the previous blog, the Museum of London has created a stunning exhibition celebrating Dickens’ links with the capital. Exhibits are drawn not just from the Museum’s own extensive collections, but from museums and archives across Britain. There are also particularly notable items, such as Dickens’ writing desk, from private collections.

                  Copyright Museum of London

    From 1822, when the Dickens family settled in Camden, to 1860 when the author took permanent residence at his Kent home of Gad’s Hill Place, London was his home. He explored it by day and, often, by night. As he walked mile after mile he planned stories in his head. Visitors to the Museum can hear a reading of Night Works, Dickens’ description of London after dark, whilst watching William Raban’s 19 minute specially-commissioned film, The Houseless Shadow, made in October 2011.

    Throughout those four decades, Dickens’ life changed dramatically. He went from schoolboy and then impoverished son of a prison inmate to the greatest celebrity of his time. His peers changed from workhouse orphans working alongside him at the blacking factory by Hungerford Stairs to famous authors, millionaires and aristocrats from across Europe and the United States.

    Hungerford Stairs 1830 by John Harley. Copyright Museum of London

    Hungerford Market, 1830 by John Thomas Smith © Museum of London

    It is thus remarkable that the Dickens and London exhibition captures so much of his own varied life along with the lives of his characters. We see blacking pots, for example, like those Dickens’ worked with in his childhood employment, sitting not far from the author’s bank ledger – a reminder of his later riches. There are displays on the theatre, which Dickens adored, including a footlight from Wilton’s Music Hall. Also featured are themes of childhood, death, transport, wealth and poverty.

    Dickens London Map © Museum of London

    Copyright Museum of London

    The full geographical area of the capital is covered: there is ‘A copy of Verses from the Year 1835, humbly presented to all the worthy inhabitants of the Parish of St Pancras’ in the north to household items excavated in 1996 from Jacob’s Island in Rotherhithe in the south east. St Pancras parish included Camden where Dickens lived and which inspired scenes from David Copperfield, A Christmas Carol and A Tale of Two Cities. Jacob’s Island is probably most associated with scenes from Oliver Twist, particularly that of the dramatic death of villainous Bill Sykes.

    Unlike in the British Library exhibition, the displays here are concerned with Dickens’ world – what many refer to as ‘Dickensian London’ – rather than a detailed focus on what he wrote. However, this does not detract from its success. And those who are interested in how Dickens wrote will delight in the presence of three original manuscripts: Dombey & Son (1847) and Bleak House (Nov 1851) from the Victoria & Albert Museum,

    Dickens's Manuscript for Bleak House © V&A images/Victroia and A

    Bleak House manuscript. Copyright V&A Images

    and Great Expectations (1861) lent by the Wisbech and Fenland Museum. Visitors can also experience Dickens’ work like its first readers by flicking through a replica copy of an instalment of Little Dorrit (Copyright V&A Images).

    Little Dorrit partwork © Museum of London

    I once researched a family who lived around the corner from Charles Dickens in Holborn. One of my first thoughts was did he ever know them or see them? Did they inspire any of the characters in his novels or short stories? Although it is almost impossible to find out, this reminded me that many of those who inspired Dickens are the ancestors of people living today. That specific family would have recognized a watchman’s box in the centre of the exhibition, that stood outside Dickens’ old home at Furnival’s Inn – the home that neighboured theirs.

    For family historians who have at least one ancestor who lived in London between 1820 and 1870, therefore, Dickens’ writing is a unparalleled source of relevant social and domestic detail. This exhibition provides an extension of that. The exhibits bring Dickensian London alive.

    Overall, for anyone with even a passing interest in either Dickens or the social history of Victorian London, this exhibition is not to be missed.

    Useful Links 

    www.Dickens2012.org

    http://www2.warwick.ac.uk/dickens

    http://www.dickensmuseum.com/

    http://charlesdickenspage.com/dickens_london.html

    http://charlesdickenspage.com/ruth_richardson-cleveland_street_workhouse.html

    http://www.bfi.org.uk/whatson/bfi_southbank/film_programme/january_seasons/dickens_on_screen

    http://twitter.com/Dickensbookclub

    Dickens and London tickets

    Adult £8 (£7 advance booking);Child/concession £6 (£5 advance booking);Under 5s FREE; Friends of the Museum FREE; Flexible family tickets are also available

Latest From Emma's Blog

Exhibition Review: Suffragettes and Other Feminists in Camden

“A Stone’s Throw from Westminster: Suffragettes and Other Feminists in Camden” launched this evening at Camden Local Studies and Archives […]

[Read more]

Carlyle’s House, London SW3

Making the most of this year’s National Trust membership, I travelled down to Chelsea to visit the Queen Anne house at 24 […]

[Read more]

From Twitter

Member of The Association of Genealogists and Researchers in ArchivesGraduate of the Institute of Heraldic and Genealogical Studies CanterburyMember of the Society of Genealogists